Elsewhere IS

Greensboro, North Carolina. Performed here during a tour in September with the SPORE mobile gallery. Elsewhere utilizes a former three-story antique shop or perhaps more accurately coined, hoarder menagerie owned by a deceased woman named Gloria. Seven years ago her grandson transformed this reliquary into a living museum and artist residency. Nothing leaves. Nothing enters. Nothing like it anywhere. These photos are mostly from the third floor which is only open during special events.

Perhaps a part of Gloria persists? To learn more about Elsewhere click here.







-Emily Hemeyer

Historic Preservation Participatory Urban Intervention Art Project

ARTVULUPS hosted a participatory urban intervention art project this past Thursday during the Riverside Art Walk.

Carolyn Schutten did a great job conceptualizing the idea!! She emailed me to participate because she knows that I have experience with installation and with the public. I loved it the minute I heard about it...it is right up my alley!


The project was "What is historic preservation?"

Participants began by asking the question, "Who decides?" what historic preservation is. They then tied the yarn from point to point toward the answer to the ending question, "What is saved?"

Participants will move through the space creating their idea of historic preservation by creating a "web" of stakeholder visions, thus making art. Hopefully people would encounter "walls" and create tangled opposing viewpoints, maybe even bump into each other in order to exemplify conflict, negotiation and compromise to really show how personal and individual values are in relation to planning and historic preservation.

There was no one answer, nor any right or wrong answers.
18 points were on display to mix and match answers:
Institutions
Community
Public
Private
Rich
Poor
White
Non-white
Architecture
Human Experience
Historians
Urban Planners
Archeologists
Too Much
Not Enough
Native
Immigrant
WILD CARD - any response not there. We asked people to write down what was missing, a few that I remember were Gays, Family and Corporations. HHmmmm.
Smart Group, Riverside!!

I helped Carolyn with some nuts and bolts prior to the event, and then showed up to help engage the passer-by to participate and get their juices flowing to help create the "communication web" of yarn. The event was SO fun. People really loved it, and were very intrigued at how it looked at first glance. Once we shared with them the concept, we let them loose to start contributing to the dialog, and ultimately help build the installation.

The weather was absolutely gorgeous at a comfortable 68 degrees with an ever so soft breeze!!

My only wish is that we could do it for a longer period of time. Although it was quite ethereal and mysteriously invasive under the ambient night light, we only had 3 hours of intervention to make the piece. I think it would be great to do it again during a day-time long event and really get the visibility, participation and ultimately a bigger web created!

ARTVULUPS (Art as a Vehicle to Understand Land Use Planning and Sustainability) is dedicated to teaching planning and sustainability through art processes and learning through artistic collaboration. The first phase has just been completed!

15 artists were paired with 15 planners to create art based on the elements in the Riverside General Plan. (I am responsible for creating art regarding Air Quality).
The works will be on display at the Riverside Arts Council Projects space from December through February. In addition, there will be several public programs that will take place throughout the next year and leading up to the American Planning Conference in Santa Barbara, fall 2011.

Thanks go to the Riverside Metropolitan Museum, Teresa Woodward, Carolyn Schutten, Joe Berryhill and Miguel Vasquez. Images by Leora Lutz.

Things I Wish I Had Made Part II

donald judd
the reason i am an artist



richard deacon
i made his work for about two years
he was always better at it



eva hesse
i wish there were more of her work
for me to see



matthew barney
makes me want to be a better artist



marnie weber
so does she
goddamn i love her videos



i know that you can see the reasons why
i wish i had made these things
maybe
maybe not
but i wish i had
i wish i could

Sunflower Seeds

Ai Weiwei harnessed the power of the city of Jingdezhen, China.

spooktastic

Gregory Euclide's wonderful worlds

I recently came across the work of Gregory Euclide in a catalog for an Exhibition titled, Badlands: New Horizon Landscape that was a Mass MoCa in late 2008 (http://www.massmoca.org/event_details.php?id=369).

The work selected for the exhibition are these beautiful landscapes created on paper but instead of the image occurring on a flat plane, Euclide's landscapes occur on andin crevasses created on a crumbled piece of paper. They are really quite beautiful.

Also check out his latest installation titled: real, natural, and unsustainable

(http://www.gregoryeuclide.com/)

He is simply brilliant!

Richard Hawkins

Lives in L.A. His show just went up in the Modern Wing at the Art Institute. I had a studio visit with him last week. I don't really believe in luck but that was lucky (there's a lottery system for one-on-ones). He has an extremely diverse studio practice - collage, sculpture, painting, drawing, assemblage, and also what looks like some computer graphic work. I was completely overwhelmed by his show and thought I'd share. Info on the show: http://www.artic.edu/aic/exhibitions/exhibition/hawkins

It's traveling to the Hammer Museum in Februrary.

I'm breaking the date rule. Where are all the posts anyway?